These Hoverboards Might Actually Work…but Only On the Moon

https://gizmodo.com/these-hoverboards-might-actually-work-but-only-on-the-1848252112


Attempts at recreating the hoverboards seen in Back to the Future II have so far been either disappointing self-balancing, two-wheeled vehicles that frequently catch fire, or jet-powered floating platforms that require a highly skilled pilot. But as MIT engineers have recently proposed, creating a levitating vehicle might not be so difficult if we all just lived on the moon.

Most of the highly maneuverable flying vehicles that have been created thus far are completely dependent on Earth’s atmosphere to take to the skies. The wings of planes need air to generate lift, while propellers need air to generate thrust. Rockets don’t need an atmosphere to propel themselves or a craft—that’s how we were able to send humans to the moon and return them safely to Earth—but as reusable vehicles they require considerable servicing and refueling efforts after a flight before they can be used again.

This is why we tend to rely on wheeled vehicles for exploring other celestial bodies that don’t have enough of an atmosphere to support flight. But a rover endures a lot of wear and tear rolling across a barren, rocky terrain, even when operated at limited speeds for safety reasons. Taking to the skies, as the Ingenuity helicopter on Mars can, is a safer way to explore another planet or celestial objects like asteroids at higher speeds to greatly increase their range of exploration, but that’s not an option on places like the moon.

Not having an atmosphere isn’t necessarily a problem, and, in fact, could actually be an advantage. It leaves the surface of the moon directly exposed to the sun, which causes it to build up an electric field that’s strong enough to make dust particles actually float (not unlike the effects of static electricity on the hair of a volunteer at a science center). The surface charges aren’t quite strong enough to keep a tiny, lightweight aircraft afloat against the pull of the moon’s gravity, but MIT engineers have come up with another approach to “generate a relatively large repulsive force between the vehicle and the ground” that could allow a rover as heavy as 2 pounds to levitate across the lunar surface.

Getting a larger craft to levitate on the moon would rely on a two-part strategy. The first would be equipping the vehicle with miniature ion thrusters connected to a reservoir of room temperature molten salt. When a small voltage is applied to the molten salt, “the liquid’s ions are charged and emitted as a beam through the nozzles with a certain force.” It’s an idea that’s already been used to propel small spacecraft in space where gravitational forces are minimal. To make a small craft levitate over the surface of the moon, which still experiences one-sixth of the gravity of Earth, the MIT engineers crunched the numbers and concluded that additional thrusters could be added to shoot out positive ions which would increase the electrical charge of the moon’s surface, and, in turn, generate a stronger force pushing up against the levitating rover.

A minimal amount of power would be needed to levitate a 2-pound rover roughly one centimeter above the moon’s surface, and to test the idea, the researchers created a lightweight (about 60 grams) palm-sized test vehicle in a lab with one ion thruster pointing up to simulate the moon’s gravity, four pointing down to counteract it, and other components, including two springs “calibrated to counteract Earth’s gravitational force,” to best recreate the conditions on the moon. The results of the experiment matched the expected theoretical outcomes, but the researchers believe a levitating rover powered this way could potentially float even higher, or potentially be built heavier with additional scientific instrumentation on board.

The ultimate goal is to come up with a rover that takes advantage of the unique conditions on moons and asteroids in our solar system to make it easier to explore and maneuver over unknown terrains by simply floating right over them—eliminating the added complications of wheeled vehicles altogether. Does it mean that if and when astronauts return to the moon they’ll be zipping from crater to crater on hoverboards? Levitating a two-pound rover is a considerably easier task than lifting a 180-pound astronaut wearing a 280-pound space suit, but this new approach has yet to be actually tested on our celestial neighbor, so it remains to be seen just how far the technology could be pushed. What we do know is that there are at least no large bodies of water on the moon to foil an exciting hoverboard chase.

via Gizmodo https://gizmodo.com

December 21, 2021 at 02:15PM

DuckDuckGo offers a first look at its desktop web browser

https://www.engadget.com/duckduckgo-desktop-app-browser-privacy-184913408.html?src=rss

DuckDuckGo has offered an early peek at its upcoming desktop app. In a blog post that recaps the company’s year, CEO Gabriel Weinberg looked toward the future as well. He said DuckDuckGo will bring the privacy protections the company is known for to the app. You can expect the speed and simplicity of its mobile app too.

"Robust privacy protection" will be enabled by default for search, browsing, email and more. Weinberg said the app isn’t a "privacy browser" per se, but rather "an everyday browsing app that respects your privacy."

As it did on mobile, DuckDuckGo is building the app using OS-provided rendering engines instead of basing it on projects like Chromium. According to Weinberg, that helped the development team to "strip away a lot of the unnecessary cruft and clutter that’s accumulated over the years in major browsers."

Along with a streamlined interface and the Fire Button (which closes all tabs and wipes browsing data in a single tap), the DuckDuckGo desktop is cleaner and much more private than Chrome, Weinberg said. He also claimed it’s "significantly faster" than Google’s browser, based on early tests — here’s hoping it’s less of a memory hog than Chrome too. DuckDuckGo didn’t reveal when it plans to release the desktop app.

Weinberg notes that, over the last 12 months, DuckDuckGo has bolstered its search and tracker blocking features. He said DuckDuckGo’s mobile app is now the most downloaded Android browser in key markets. In July, the company announced a free email forwarding service that removes tracking pixels from messages.

via Engadget http://www.engadget.com

December 21, 2021 at 12:54PM

2021 was the year that streaming pushed our cultural buttons

https://www.engadget.com/state-of-streaming-2021-143056372.html?src=rss

To no one’s surprise, 2020 was a bumper year for streaming. With people stuck at home last year, services saw millions of new subscribers — Netflix attracted 16 million customers in just three months, alone. The early part of 2021 continued that trend, but as the year draws to a close, it appears the growth is slowing down across the board. This suggests that as restrictions ease around the world, people might be returning to pre-pandemic norms.

But on the whole, 2021 was still a pretty big year for streaming. Netflix now has 214 million global subscribers, and services like Disney+ and HBO Max lured customers with exclusive TV shows and movies. US platforms, like Peacock, expanded internationally and online-only programming was well-represented at multiple award shows. Titles exclusive to streaming, such as Squid Game and WandaVision, became part of the cultural landscape. A slow year or not, it’s clear that this is how most of us watch our shows now. Here are some of the biggest stories in streaming this year.

Squid Game
Netflix

Netflix continues to dominate

As mentioned above, Netflix is the undisputed leader in streaming with over 214 million subscribers worldwide. Sure, it’s faced a few challenges from rivals like Disney+ and Amazon Prime, but Netflix is still holding strong. Part of that is due to the company’s strategy of investing in original content that you can’t get anywhere else, like Stranger Things and The Crown.

And of course, there’s Squid Game which is undoubtedly the number one TV show of the year. Netflix has said that around 142 million households watched the Korean-language show, making it the most-viewed new show in Netflix history. There’s also the recently released Red Notice, which became the service’s most-watched movie in its first 28 days of release, with around 328.8 million viewing hours in that time span. That tops the previous record held by Bird Box, which had 282 million viewing hours back in 2018.

Things don’t seem to be slowing down, either. Netflix has signed multi-year deals with big names like Kevin Hart and Steven Spielberg, it has exclusive rights for Universal animated films and it purchased the rights to Roald Dahl’s entire catalog. this phenomenon

Still, 2021 wasn’t without its hiccups. The largest one by far is when Netflix employees staged a protest over the CEO’s remarks defending Dave Chappelle’s standup special, which was heavily criticized for its transphobic content. CEO Ed Sarandos has since said he “screwed up” on the messaging, but has not rescinded his defense.

Loki
Disney

Disney+ proves it’s a serious contender

Disney+, on the other hand, currently has 118.1 million paid subscribers worldwide, which doesn’t quite compare to Netflix. But the service still gained ground in 2021, with around 43 million more subscribers compared to last year. A lot of that can be attributed to Disney’s powerhouse brands such as Pixar, Star Wars and, especially in 2021, Marvel.

2021 was when the Marvel Cinematic Universe released four different TV shows, all exclusively on Disney+: WandaVision, The Falcon and the Winter Soldier, Loki and Hawkeye. This is a big deal, as Marvel has said that these TV series are key to the MCU’s “Phase Four” chapter, indicating that fans will likely want to watch them in order to understand the context behind upcoming movies set in the same universe.

But there was more to these shows that made them required viewing. As the first out the gate, WandaVision set the tone. The episodes were meant to be watched weekly, as each one spurred so-called “water cooler” discussions in-person and online. This felt a lot like “anti-binging” TV, as much of the appeal of these shows lay in the anticipation of what would happen next. At the very least, it showed that Disney+’s slate of original content — which also includes The Mandalorian and the upcoming The Book of Boba Fett — could hold its own against that of more established platforms.

Wonder Woman 1984
Warner Bros.

The direct-to-streaming revolution that wasn’t

During the thick of the pandemic, many movies eschewed theatrical releases for direct-to-streaming debuts. Examples include The Lovebirds, Borat Subsequent Movie Film,Mulan (via paid Premier Access), Soul, and Wonder Woman 1984. That carried into this year as well, with Disney+ continuing its paid Premier Access model with Cruella, Black Widow and Jungle Cruise (Luca, however, did not have Premier Access release).

The biggest move, however, was when Warner Bros. announced that every single one of its movies in 2021 would have a one month exclusive access period on HBO Max concurrent with the film’s domestic release. This meant that big blockbuster movies like Suicide Squad, Dune and Matrix 4 would be available on HBO Max on the same day they debuted in theaters for an entire year.

While some may have heralded this phenomenon as the future of entertainment, it looks to be short-lived. Disney revealed a few months ago that all of its remaining 2021 movies will get a 45-day head start in theaters. This could be due to strong responses to titles like Free Guy and Shang-Chi, but Disney might also want to avoid lawsuits like the one Scarlett Johansson filed for breach of contract over shortened theatrical releases. Warner Bros. also said that it’s going back to theater-first releases in 2022. It looks like the direct-to-streaming revolution isn’t quite here just yet.

Other notable streaming news

  • Paramount+ replaces CBS All Access, which essentially opens up the service to other ViacomCBS channels, such as Comedy Central and VH1, plus Paramount’s existing movie library.

  • Discovery+ makes its debut. The service features content from HGTV, Food Network, Animal Planet, TLC, the Magnolia Network, and Discovery.

  • AT&T spun off its WarnerMedia division and merged it with Discovery in a $43 billion deal. The new company will combine Warner’s film division, HBO Max and Discovery+.

  • Roku purchased Quibi’s shows and released some of them as “Roku Originals.”

  • Roku pulled YouTube TV from its channel store amid a contract dispute with Google. The latter apparently requested priority placement in search results and wanted to block results from other providers while the app was in use. As of December 8th, both parties have finally agreed to a multi-year extension.

  • In other notable YouTube TV news, the service recently lost access to all of Disney’s channels, which includes ESPN, ABC and FX, as Google and Disney had failed to strike a deal. After just a couple of days, however, the two companies reconciled and reached an agreement, thus restoring all of the aforementioned channels. When YouTube TV initially lost those channels, Google had dropped the price of the service by $15 (from $65 to $50 in the basic package). Now the price is back to normal. However, if users had already initiated the cancellation process, Google will still honor the one-time $15 credit if they resume their membership. 

  • WWE Network ceased operations as most of its content moved to Peacock.

  • Peacock aired multiple live Olympics sporting events as well as the opening and closing ceremonies.

  • Universal made a deal where Peacock and Amazon Prime Video would have some streaming rights for its live-action movies after their theatrical run. They would air on Peacock for four months, then on Prime Video for 10 months, and then back to Peacock for at least another four months. This kicks into effect in 2022.

  • Netflix gained exclusive streaming rights to all of Sony’s upcoming movies, including upcoming titles in the Spider-Man franchise.

  • Peacock debuts in the UK and Ireland.

What to look forward to in 2022

While the growth in streaming might be slowing, there are still plenty of shows and movies to anticipate next year. Netflix has confirmed that the aforementioned Sandmanwill be released in 2022, as well as The Witcher: Blood Origin and new seasons of favorites like Stranger Things, The Crown and Ozark. Disney+ will continue its MCU run of TV shows with Ms. Marvel, and will introduce a couple of Star Wars series too: Obi-Wan Kenobi and Andor. Perhaps the two biggest TV series to get excited about, however, are HBO’s Game of Thrones prequel series, House of the Dragon, and Amazon’s epic Lord of the Rings series, which is set thousands of years prior to The Hobbit.

via Engadget http://www.engadget.com

December 21, 2021 at 08:42AM